{"id":3542,"date":"2024-04-24T12:02:19","date_gmt":"2024-04-24T10:02:19","guid":{"rendered":"https:\/\/targiksiazkiwarszawa.pl\/?page_id=3542"},"modified":"2024-05-08T11:55:13","modified_gmt":"2024-05-08T09:55:13","slug":"illustration-exhibition","status":"publish","type":"page","link":"https:\/\/targiksiazkiwarszawa.pl\/en\/italy-guest-of-honour\/illustration-exhibition\/","title":{"rendered":"Illustration Exhibition"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f0f0f1″ scene_position=”center” top_padding=”4%” bottom_padding=”4%” text_color=”light” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” shape_divider_height=”350″ 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bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Italian stories. Italian fiction illustrated. MANUELE FIOR, BEPPE GIACOBBE, ANDREA SERIO, MARIO SUGHI, ELISA TALENTINO” use_theme_fonts=”yes” css_animation=”fadeIn”][divider line_type=”No Line” custom_height=”18″][vc_column_text]\n

In the lobby of Goethe Hall of the Palace of Culture and Science, the most beautiful book covers will be presented at the exhibition entitled \u201cItalian stories. Italian fiction illustrated\u201d. \u00a0The exhibition was created in collaboration with Associazione Flangini and is curated by Melania Gazzotti.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” disable_element=”yes” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Ok\u0142adka to jeden z najbardziej przekonuj\u0105cych element\u00f3w w dyspozycji wydawnictwa, kt\u00f3rym mo\u017cna zach\u0119ci\u0107 czytelnika do kupna ksi\u0105\u017cki. Jak mawia\u0142 Bruno Munari \u2013 niezr\u00f3wnany mistrz grafiki wydawniczej W\u0142och \u2013 ok\u0142adka ksi\u0105\u017cki jest ma\u0142ym plakatem, kt\u00f3rego celem jest zakomunikowanie obserwatorowi, \u017ce w tej ksi\u0105\u017cce jest co\u015b co mo\u017ce go zainteresowa\u0107.<\/span><\/p>\n

Historia w\u0142oskiej grafiki wydawniczej jest pe\u0142na przyk\u0142ad\u00f3w wydawnictw, kt\u00f3re zwr\u00f3ci\u0142y si\u0119 do ilustratora z pro\u015bb\u0105 o oryginalne i efektowne ok\u0142adki. Ten trend, kt\u00f3ry przechodzi\u0142 przez r\u00f3\u017cne fazy w XX wieku, zosta\u0142 umocniony w latach dwutysi\u0119cznych, kiedy kilku wydawc\u00f3w zwr\u00f3ci\u0142o si\u0119 do ilustrator\u00f3w, aby odnowi\u0107 wizerunek ca\u0142ych serii wydawniczych.<\/span><\/p>\n

Celem tej wystawy jest podkre\u015blenie, jak w\u0142oska literatura pi\u0119kna jest cz\u0119sto powierzana interpretacji ilustratora, niezale\u017cnie od tego, czy chodzi o pisarzy, kt\u00f3rzy stali si\u0119 ju\u017c klasykami, czy o m\u0142odych obiecuj\u0105cych autor\u00f3w. Wybrani tutaj ilustratorzy \u2013 Manuele Fior, Beppe Giacobbe, Andrea Serio, Mario Sughi, Elisa Talentino \u2013 nale\u017c\u0105 do najbardziej lubianych i wyrazistych rysownik\u00f3w ostatnich lat. Charakteryzuj\u0105 si\u0119 wykorzystaniem bardzo r\u00f3\u017cnych technik, od akwareli po malarstwo cyfrowe, a ich styl jest ju\u017c rozpoznawalny.<\/span><\/p>\n

\n

MANUELE FIOR<\/strong><\/span><\/p>\n

Urodzony w Cesenie w 1975 r., mieszka\u0142 w Berlinie, Oslo, Pary\u017cu i Wenecji. Jako ilustrator wsp\u00f3\u0142pracuje z takimi czasopismami jak \u201eThe New Yorker\u201d, \u201eVanity Fair\u201d, dziennikami jak \u201ela Repubblica\u201d, \u201eLe Monde\u201d i \u201eIl Sole 24 Ore\u201d, z wydawnictwami Feltrinelli, Einaudi, EL. Jego ostatni\u0105 grafic novel jest Hypericon, kt\u00f3ra ukaza\u0142a si\u0119 w 2022 r. nak\u0142adem <\/em>Coconino press. W 2016 r. narysowa\u0142 plakat dla Premio Strega, a w 2018 r. plakat dla Targ\u00f3w Ksi\u0105\u017cki w Turynie.<\/span><\/p>\n

\n

ANDREA SERIO<\/strong><\/span><\/p>\n

Andrea Serio urodzi\u0142 si\u0119 w 1973 r. Jest ilustratorem pos\u0142uguj\u0105cym si\u0119 technik\u0105 pasteli i kolorowych kredek, wystawia\u0142 swoje rysunki w czasie wa\u017cnych wydarze\u0144 narodowych i mi\u0119dzynarodowych. Ilustrowa\u0142 ksi\u0105\u017cki dla m\u0142odzie\u017cy, plakaty i liczne ok\u0142adki powie\u015bci, czasopism i p\u0142yt. Po wielkim sukcesie Rapsodia in blu, <\/em>jego pierwszej indywidualnej graphic novel, przet\u0142umaczonej w ca\u0142ej Europie, zmierzy\u0142 si\u0119 z Noir napisanym przez Igort, Gauloises<\/em> (Oblomov, 2021).<\/span><\/p>\n

\n

BEPPE GIACOBBE<\/strong><\/span><\/p>\n

Beppe Giacobbe urodzi\u0142 si\u0119 w Mediolanie w 1953 r., gdzie \u017cyje i pracuje do dzisiaj. Przez wiele lat wsp\u00f3\u0142pracowa\u0142 z United Airlines, ilustruj\u0105c kilka s\u0142awnych kampanii reklamowych, jak r\u00f3wnie\u017c z \u201eNew York Times\u201d i \u201eThe New Yorker\u201d. Od 1989 r. wsp\u00f3\u0142pracuje z \u201eCorriere della Sera\u201d, stworzy\u0142 liczne ok\u0142adki dla Einaudi, Mondadori, Rizzoli, Chiare Lettere, Laterza, Il Saggiatore, Feltrinelli,\u00a0 Garzanti i Longanesi.<\/span><\/p>\n

\n

MARIO SUGHI<\/strong><\/span><\/p>\n

Mario Sughi urodzi\u0142 si\u0119 w Cesenie w 1961 r., a od po\u0142owy lat dziewi\u0119\u0107dziesi\u0105tych \u017cyje i pracuje w Dublinie.<\/span><\/p>\n

Jego pracom malarskim po\u015bwi\u0119conych by\u0142o wiele wystaw indywidualnych we W\u0142oszech i w Irlandii, jak r\u00f3wnie\u017c w\u0142\u0105czony by\u0142 w wiele wystaw zbiorowych. Jako ilustrator wsp\u00f3\u0142pracuje z kilkoma najznamienitszymi wydawnictwami, w\u015br\u00f3d kt\u00f3rych s\u0105 Einaudi, Garzanti, Neri Pozza, Rizzoli i Fazi Editore. W 2021 r. narysowa\u0142 ok\u0142adk\u0119 do polskiego t\u0142umaczenia powie\u015bci Domenico Starnone, Wyznanie<\/em>, opublikowanej przez wydawnictwo Pauza z Warszawy.<\/span><\/p>\n

\n

\u00a0<\/strong><\/span>ELISA TALENTINO<\/strong><\/span><\/p>\n

Elisa Talentino urodzi\u0142a si\u0119 w 1981 r., mieszka i pracuje w Turynie. Tworz\u0105c swoje prace eksperymentuje wykorzystuj\u0105c r\u00f3\u017cne techniki druku artystycznego, w szczeg\u00f3lno\u015bci sitodruku i monotypii, po\u0142\u0105czone z technikami tradycyjnego malarstwa. Tworzy\u0142a ilustracje wydawnicze dla tak wa\u017cnych tytu\u0142\u00f3w jak \u201eThe New York Times\u201d, \u201eThe Washington Post\u201d, \u201eLa Repubblica\u201d, \u201eLa Stampa\u201d i \u201eCorriere della Sera\u201d, jak r\u00f3wnie\u017c ok\u0142adki dla wydawnictw Einaudi, Mondadori, Bompiani, Il Saggiatore, Edizioni i\/lub, Enne Edizioni i wielu innych. W 2023 r. narysowa\u0142a plakat dla Targ\u00f3w Ksi\u0105\u017cki w Turynie.<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ background_image=”3588″ background_image_position=”center center” background_image_stacking=”default” enable_bg_scale=”true” background_image_loading=”default” column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default” column_padding_type=”default”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding_phone=”50%” bottom_padding_phone=”50%” left_padding_phone=”50%” right_padding_phone=”50%” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_column_text]\n

For a publishing house, book cover is one of the most compelling assets with which to entice a reader to buy a book. \u00a0As Bruno Munari, Italy’s incomparable master of publishing graphics, used to say, a cover is a bijou poster created to let the onlooked know that the book is worth their while.<\/span><\/p>\n

The history of Italian publishing graphic design is replete with examples of a publisher turning to an illustrator with a request for an original and striking cover. This trend, which continued in phases throughout the 20th century, came back with a vengeance in the 2000s, when a number of publishing houses asked the illustrators to revamp the image of their publishing series.<\/span><\/p>\n

This exhibition aspires to showcase how Italian fiction is often entrusted to the interpretation of an illustrator – whether it be work of a writer who has already become a classic or a young promising author. The illustrators – Manuele Fior, Beppe Giacobbe, Andrea Serio, Mario Sughi and Elisa Talentino – are among the most beloved and inimitable contemporary cartoonists. They use a variety of techniques, from watercolour to digital painting, in a distinctive and recognizable style.<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

\n

MANUELE FIOR<\/strong><\/span><\/p>\n

Born in Cesena in 1975; he has lived in Berlin, Oslo, Paris and Venice. He works as an illustrator for magazines, including \u00bbThe New Yorker\u00ab and \u00bbVanity Fair\u00ab; daily papers, including \u00bbla Repubblica\u00ab, \u00bbLe Monde\u00ab, \u00bbIl Sole 24 Ore\u00ab; and publishers, including Feltrinelli, Einaudi, EL. The Hypericon<\/em>, his most recent graphic novel, was published in 2022 by the Coconino Press. He created posters for Premio Strega (2016) and for the Turin International Book Fair (2018).<\/span><\/p>\n

\n

ANDREA SERIO<\/strong><\/span><\/p>\n

Born in Carrara in 1973. He is an illustrator and cartoonist<\/strong> specializing in the use of pastels and coloured pencils; his artwork has been shown during many national and international events<\/strong>.\u00a0<\/strong>He has illustrated books for young adults; he has made posters and covers for novels, magazines and music records. Following the great success of his first individual graphic novel, Rhapsody in blue<\/em>, which was widely translated in Europe, he started working on Gauloises<\/em> (Oblomov, 2021), a roman noir<\/em> by Igort.<\/span><\/p>\n

\n

BEPPE GIACOBBE<\/strong><\/span><\/p>\n

Born in Milan in 1953, he lives and works there. He illustrated several major advertising campaigns for the United Airlines, he worked for \u00bbThe New York Times\u00ab and \u00bbThe New Yorker\u00ab. Since 1989, he has collaborated with \u00bbCorriere della Sera\u00ab; he created book covers for the following publishing houses: Einaudi, Mondadori, Rizzoli, Chiare Lettere, Laterza, Il Saggiatore, Feltrinelli,\u00a0 Garzanti and Longanesi.<\/span><\/p>\n

\n

MARIO SUGHI<\/strong><\/span><\/p>\n

Born in Cesena in 1961, he has lived and worked in Dublin since the mid-1990s. His artwork was presented at numerous solo exhibitions in Italy and Ireland and were included in many group exhibitions. As an illustrator, he has worked with some of the most prominent publishing houses, including Einaudi, Garzanti, Neri Pozza, Rizzoli and Fazi Editore. In 2021, he drew the cover for the Polish edition of Domenico Starnone’s Confidenza<\/em>, published in Poland by Pauza, a Warsaw-based publishing house.<\/span><\/p>\n

\n

ELISA TALENTINO<\/strong><\/span><\/p>\n

Born in 1981 in Turin, she lives and works there. She likes to experiment with various printmaking techniques, particularly screen print and monotype, combined with traditional painting techniques. She has worked for the \u00bbThe New York Times\u00ab, \u00bbThe Washington Post\u00ab, \u00bbla Repubblica\u00ab, \u00bbLa Stampa\u00ab, and \u00bb Corriere della Sera\u00ab; she has created book covers for Einaudi, Mondadori, Bompiani, Il Saggiatore, Edizioni E\/O, Enne Edizioni, inter alia<\/em>. She is the author of 2023 Turin International Book Fair poster.<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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